Scraps: typography
3 items
Feogra - Futuristic Typeface :: Behance
* **Content Type:** This is a project page on Behance, showcasing a typeface design. It features images demonstrating the font, information about the creator, and options for interaction (like downloading or appreciating the project).
* **Main Topic/Purpose:** The page's primary purpose is to present and promote the "Feogra - Futuristic Typeface." It aims to showcase its design, provide download access, and connect with potential users or clients.
* **Key Information & Visible Text:**
* **Title:** "Feogra - Futuristic Typeface"
* **Platform:** Behance (logo visible in the footer and top left).
* **Creator/Owner:** "limitype PRO" (with a location of "Indonesia").
* **Publication Date:** "Published: August 14th 2023" (Note: OCR shows 2003, but the image clearly shows 2023).
* **Interactions/Metrics:**
* "34" (likely appreciations/likes)
* "888" (likely views)
* "3" (likely comments)
* **Call to Action:** A prominent green button with a lightning bolt icon and the text "DOWNLOAD" is visible.
* **Social Media/Contact:**
* "Instagram: @limitype"
* "Website: limitype.com"
* "More info: linktr.ee/limitype"
* **Tags/Keywords:** "typography," "Free font," "futuristic font," "techno font," "modern font," "display font," "sans serif," "bold font," "sci-fi font," "robotic font."
* **Introductory/Concluding Text:**
* "Thank you for watching hope you like it :) Don't forget to follow our social media to get more info about our work"
* "You might also like - Lifetime access Mockups"
* **Navigation/UI Elements:**
* "Start Free Trial" button (top left).
* "Appreciate" button (right sidebar).
* "Follow," "Hire" buttons for the creator.
* "Report" button.
* Share icons (email, link, embed).
* Adobe logo and "Tools" section in the right sidebar.
* Footer with links like "Built For Creatives," "Find Talent," "About Behance," "Social" (Instagram, Twitter, Pinterest, Facebook, LinkedIn), "Help Center," "Contact Us," "Login," "Download the App."
* Copyright: "© 2023 Adobe Inc. All rights reserved."
* Privacy and Cookie preferences links.
* **Visual Content:** The majority of the page consists of large, white rectangular areas. These are placeholders for images that would typically showcase the typeface in various contexts, demonstrating its design, weights, and potential applications. The visible text snippets like "Typography Free font futuristic font techno font modern font display font sans serif bold font sci-fi font robotic font" are likely part of these image placeholders, indicating the content that *should* be there.
* **Details to Remember:**
* It's a Behance project for a futuristic typeface named "Feogra."
* The creator is "limitype" from Indonesia.
* It was published in August 2023.
* There's a clear "DOWNLOAD" option.
* The page uses various keywords to describe the font, such as "free," "futuristic," "techno," "modern," "display," "sans serif," "bold," "sci-fi," and "robotic."
* Social media links for the creator are provided.
* The page structure is typical of a Behance project, with a main content area for visuals and sidebars/footers for metadata and navigation.
The author, a graffiti artist known as "Kidult," argues that graffiti is not just about vandalism or…
**Summary of "Graffiti: The Art of Letters"**
• **Thesis**: The author, a graffiti artist known as "Kidult," argues that graffiti is not just about vandalism or rebellion, but is deeply rooted in a passion for typography and the shape of letters.
• **Historical Context**: Graffiti art emerged in the late 1960s and early 1970s in New York City, with artists like TAKI 183 and Dondi White pioneering the use of letters and numbers in their work.
• **The Art of Letters**: Kidult explains that graffiti artists, often referred to as "writers," spend countless hours perfecting their letterforms, which can range from simple bubble letters to complex wildstyle scripts.
• **Cultural Significance**: Graffiti has evolved from its subway roots to become a global art form, with artists like Banksy and Shepard Fairey achieving international acclaim.
• **Technique and Style**: The author discusses various graffiti styles, including blockbusters, wildstyle, and cubism, each with its unique approach to letter shapes and colors.
• **Graffiti as a Social Commentary**: Kidult notes that graffiti has always been more than just art; it's a form of expression and a way for marginalized communities to voice their opinions.
• **Legal Issues and Perception**: Despite its artistic merits, graffiti remains illegal in many places, often perceived as vandalism rather than art.
• **Quote**: "Graffiti is not about the letters, it's about the shapes. It's about the form, the line, the color, the space. It's about the way those shapes interact with each other and with the environment." - Kidult
• **Counterpoint**: The article acknowledges that some people view graffiti as a destructive and unsightly form of vandalism, but Kidult argues that this is a misunderstanding of the art form.
• **Conclusion**: Kidult concludes that graffiti is a legitimate art form that deserves recognition and respect, and that its true essence lies in the love and dedication its practitioners have for the shape of letters.
• **Personal Context**: This article was saved because it provides a unique perspective on graffiti art, challenging common perceptions and offering insight into the passion and dedication behind this often-misunderstood art form.